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En 1916, Wifredo et une partie de la famille s'installent à La Havane tandis que son père, déjà très âgé, reste à la campagne. Autoportrait, 1923. We are presented with three imposing anthropomorphic figures that stand and confront the viewer curiously. La guerra civil, 1937. Mar 18, 2018 - The internationally renowned Cuban painter Wifredo Lam (1902-1982) was a precursor of a cross-cultural style of painting, infusing Western modernism with African and Caribbean symbolism. Wifredo Lam (Cuban, 1902–1982) was a Cuban-born painter, draughtsman, and sculptor, born to a Chinese father and Afro-Cuban mother. 21 oct. 2017 - Wifredo Óscar de la Concepción Lam y Castilla, dit Wifredo Lam, est né à Sagua La Grande, (Cuba) le 8 décembre 1902 et mort à Paris le 11 septembre 1982. Though Lam's dislike for academic conservatism persisted, his time in Spain marked his technical development in which he began to merge a primitive aesthetic and the traditions of Western composition. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). Il s'installe en 1860 à San Francisco puis, dix ans plus tard, migre une première fois vers Cuba avant de rejoindre le Mexique en 1880. Manolo gave Lam the letter of introduction that sparked his friendship with Picasso, whose artwork had impressed and inspired Lam a year before when he saw an exhibition in Madrid. Figures, 1938. Wifredo Lam was a Cuban artist who sought to portray and revive the enduring Afro-Cuban spirit and culture. « Lam, c’est aussi l’âme de ce temps dans son combat pour la justice, pour la libération des réalités longtemps opprimée[1]. Wifredo s'exerce au dessin et à la peinture dans les jardins botaniques de la ville. Wilfredo Lam - Art authentication research and investigation experts.- La autenticación, del arte, dibujos y pinturas de Wilfredo Lam - Identification of fakes, forgeries and misattributions . Nature morte, 1938. However, Lam disliked both academic teaching and painting. A major early 20th-century painter, Wifredo Lam fused elements of Cubism and Surrealism with African culture in paintings that were exhibited alongside those of Pablo Picasso and other Cubists and Fauvists. C'est à l'âge de 21 ans qu'il prend la nationalité cubaine, étant jusqu'alors chinois par sa filiation, expliquant peu après qu'il s'est toujours senti avant tout cubain plutôt que chinois. Le Repos du modèle [Nu], 1938. In this monumental painting, Wifredo Lam (1902–1982) leaves no corner unfilled. Simultaneously he also began studying tropical plants at the Botanical Gardens. Paintings from the 30's. Son épouse lui survit jusqu'en 1944. Il abandonne des études de droit pour suivre une formation artistique et devenir portraitiste. Throughout Lam's travels through the Spanish countryside, he developed empathy for the Spanish peasants, whose troubles in some ways mirrored those of the former slaves he grew up around in Cuba. Wifredo Lam was a Cuban-born artist who attained fame for his work as a painter. Wifredo Lam, (born Dec. 8, 1902, Sagua la Grande, Cuba—died Sept. 11, 1982, Paris, France), Cuban painter known for his synthesis of Modernist aesthetics and Afro-Cuban imagery. Between 1918 and 1923, Lam studied painting at the Escuela de Bellas Artes, but preferred painting outdoors to the traditional academic setting. Expert Cuban school painting authentification services The influence of Surrealism was discernible in his work, as well as that of Henri Matisse. “It’s a way—my way of communicating between human beings,” he stated. His contact with African celebrations and spiritual practices proved to be his largest artistic influence. In the mornings he would attend his conservative teacher's studio, while he spent his evenings working alongside young, nonconformist painters. Wifredo est le huitième et dernier enfant d'un couple aux origines fort différentes et d'une grande différence d'âge. A participant in the Modern Art movement, Lam studied at the Escuela de Bellas Artes in Madrid, Spain after leaving his native Havana. Nu, 1926. He left for Madrid in the autumn of 1923 to further his art studies. Though he was predominantly a painter, he also worked with sculpture, ceramics and printmaking in his later life. In 1923 Lam began studying in Madrid under Fernando Álvarez de Sotomayor y Zaragoza, the curator of the Museo del Prado and teacher of Salvador Dalí. Wifredo Lam "Untitled (No. Wifredo Óscar de la Concepción Lam y Castilla (林飛龍) was born on December 8, 1902 in Sagua La Grande, Cuba, to parents of Cuban, Congolese and Chinese ancestry. Cuban, 1902–1982. In 1916 Lam moved to Havana to study law, a path that his family had thrust upon him. Back in Cuba, Lam reconnected with his family and the culture he had been born into. Wifredo Óscar de la Concepción Lam y Castilla, dit Wifredo Lam, est né à Sagua La Grande, (Cuba) le 8 décembre 1902 et mort à Paris le 11 septembre 1982. Lam’s Cuban paintings of the 1940s are much bigger than his earlier works and infinitely more original. Un participant au mouvement de l'art moderne, Lam a étudié à l'Escuela de Bellas Artes à Madrid en Espagne, après avoir quitté sa ville natale La Havane. Lam was born to a Chinese immigrant father and a mother of African and Spanish descent. De mère métisse, aux origines hispano-congolaises, et de père chinois immigré à Cuba, Wifredo Lam grandit dans une famille modeste et ouverte d’esprit : son père qui tient un petit commerce, est un homme lettré qui maîtrise la calligraphie. Peintre cubain, promoteur d’une peinture métissée alliant modernisme occidental et symboles africains et caribéens créant ainsi un langage singulier et contemporain. The retrospective on Cuban painter Wifredo Lam (Sagua La Grande, 1902 – Paris, 1982), organised by the Centre Pompidou, Museo Reina Sofía and Tate Modern, acknowledges the common desire to consider modernity in all its complexity and endeavours to redefine Lam’s work inside a history of international art in which he stands as a key figure. Peintre cubain, promoteur d’une peinture métissée alliant modernisme occidental et symboles africains et caribéens créant ainsi un langage singulier et contemporain. Opened in 1983, the Wifredo Lam Center for Contemporary Art (in Spanish: Centro de Arte Contemporáneo Wifredo Lam) is a state-run gallery in tribute to Lam and located in Havana, Cuba. In Sagua La Grande, Lam was surrounded by many people of African descent; his family, like many others, practiced Catholicism alongside their African traditions. A major early 20th-century painter, Wifredo Lam fused elements of Cubism and Surrealism with African culture in paintings that were exhibited alongside those of Pablo Picasso and other Cubists and Fauvists. De 1918 à 1923, Lam est inscrit à l’Academia Nacional de Bellas Artes San Alejandro (es). Peint en 1949. oil on canvas 48 7/8 x 43 1/8 in. Executed on 20 August 1942 - Wifredo Lam. » Lam poursuit le même combat que le poète martiniquais Aimé Césaire, « peindre le drame de son pays, la cause et l’esprit des Noirs. 44 - Quetzal) 1975" Follow Artist Add to Watchlist Limited Edition Print: Lithograph on Paper Painted in 1949. Wifredo Lam was born and raised in Sagua La Grande, a village in the sugar farming province of Villa Clara, Cuba. C’est là qu’il passe son enfance, dans un environnement mêlant plusieurs civilisations et croyances : le catholicisme cubain auquel appartient sa mère qui le fait baptiser lorsqu'il a 5 ans; le culte des ancêtres pratiqué par son père ; et les traditions africaines, liées à la santeria, que lui apprend sa marraine, Antonica Wilson, dite Mantonica, une prêtresse très renommée de ce rite. Comment: This painting is the one to which Alejo Carpentier refers as a key for seeing and understanding what lo real maravilloso (Magical Realism?) Wifredo Óscar de la Concepción Lam y Castilla, dit Wifredo Lam, est né à Sagua La Grande, (Cuba) le 8 décembre 1902 et mort à Paris le 11 septembre 1982. There he met Helena Holzer, a German researcher, and the Catalan artist known as Manolo Hugué. Ana Serafina Castilla, née en 1862, est une petite ville sur la côte nord, centre sucrier la! Is here → mulâtresse descendant d ’ une peinture métissée alliant modernisme occidental symboles. 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