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Sony A9 & Sigma 105mm f/1.4 Art | 1/125 sec f/2.2 ISO 50 | Edited with DVLOP Presets. The score in the “features-department” is 2[-]/5[0]/9[+]. Even more than that, attempting to find a way to fit it in my gear bags was tricky in itself. Sigma 105mm f/1.4 DG HSM Art review This new ‘bokeh master’ lens from Sigma aims for portrait perfection, putting competitors in the shade By Matthew Richards 04 October 2018. The Nikon and the Sigma 135mm  only have weather sealing at the lens-mount. The lens comes with a detachable tripod mount with an Arca-Swiss style interface. I found my groove with using the length again. The 24-105mm F4 DG OS HSM Art is a relatively wide-range standard zoom for full frame SLRs, and part of Sigma's line of high quality 'Art' lenses. Manual-focus override is by simply turning the focus ring. This all comes at a price: 1400 USD / 1500 EUR is not exactly cheap but roughly in line with other high performance large aperture mid-length telephoto lenses – and again it’s also more affordable than Nikon’s own 105mm f1.4 lens, so one of the big questions I’ll be answering in my review is how these two models compare. It takes up a fair amount of room in there. Back when I shot on Canon, the Canon 135mm f/2 was a staple in my bag. Lens Mount Sigma 105mm F1.4 DG HSM is compatible with cameras that have Sigma SA lens mount.Some of the latest released cameras with Sigma SA lens mount are Sigma Quattro, Sigma Quattro H and Sigma SD1 Merrill. [+], Closest focus distance is 1.0m with a magnification of 1:8.3 although I was able to get down to 1:7.7 at 0.94m with manual focus. Same with the competition. My overall impression is this: it’s a specialty lens, it’s a pain in the butt to haul around, but it makes such gorgeous images that you honestly don’t care. [++], Aperture ring: no, same as with the competition. Sigma 105mm f/1.4 Art Review This is a guest review of the Sigma 105mm f/1.4 DG HSM Art by wedding photographer Megan Allen. The products in this post may contain affiliate links. The focus ring has no slack/play between its movement and the focus-action and a throw of 135 degrees, which is very good for accurate manual focus wide open. The Nikon is 979g, the lens hood adds another 55g. It is, of course, dust- and splash-resistant, and includes an Arca-Swiss tripod collar. There was also a silicone band that swaps out with the Arca-Swiss tripod collar. [+], Covers full frame/FX or smaller = very good. Lens Mount Sigma 105mm F1.4 DG HSM is compatible with cameras that have Canon EF lens mount.Some of the latest released cameras with Canon EF lens mount are Canon 1D X III, Canon 6D MII and Canon 5D MIV. With the Sigma 105mm f2.8 DG DN Macro Art there is finally a modern alternative to Sony’s FE 90mm f2.8 G OSS Macro and it’s the first autofocus macro lens for L-mount with a focal length beyond 70mm. I’ve rated the features with a [+] (or [++]), when it’s better than average or even state of the art, a [0] if it’s standard or just average, and [-] if there’s a disadvantage. It’s around 1500 EUR. Instead, I’ve taken to placing it in my HoldFast Sightseer Backpack. The Nikon does 1:6.7 at 0.92m in manual focus and and achieves 1:10 at 1.26m while the Sigma 135mm goes to 0.84m where it offers a very nice magnification of 1:4.6 and achieves 1:10 magnification at 1.55m distance. But how does it stand up to its counterparts from other brands, and is it worth the cost? Read on to find out! [+], Sigma’s service can change the mount of the lens between Nikon, Canon, Sony or Sigma (at a cost). When you pull this lens out of the box and begin using it, you’re comforted by the sense that you’ve invested in quality glass. The Sigma 105mm F1.4 DG HSM Art lens—colloquially referred to as the 'bokeh master'—will cost just $1,600 USD when it ships for Canon, Nikon, and Sigma mounts in 'late June.' I love the feel of brushed metal, which makes up most of the lens except for the back piece, which is smoother. Colors are a tad muted in comparison to Sony native glass, but extremely easy to push in post to taste. It has very good contrast and sharpness across the full-frame sensor, even with the aperture fully opened to f1.4. That’s about par for the course on large aperture primes. When I jumped into the Sony waters, I realized there were simply no comparable native Sony lenses with such a shallow depth of field. 10.0/10 average of 1 review(s) Build Quality 10.0/10 Image Quality 9.0/10. Sigma 40mm F1.4 Art sample gallery: 63 images Nov 27, 2018 Sigma 56mm F1.4 DC DN sample gallery: 80 images Nov 26, 2018 Fujifilm XF 8-16mm F2.8 R LM WR sample gallery: 35 images Nov 21, 2018 Nikon D3500 sample gallery Overall, the image quality is beyond impressive, and I am falling in love with the 105 length all over again. For those who would prefer not to have it, however, Sigma did think ahead and also provided a silicone band that fits in the space that the collar resides, should you opt to remove it. The Sigma 105mm F1.4 DG HSM Art earns our Editors' Choice, with as enthusiastic a recommendation as the Nikkor 105mm F1.4E. Keeping that in mind, if you have the space to use it in a processional situation, you’ll be quickly rewarded with some of the most beautiful falloff to bokeh goodness I’ve ever seen from a lens. Then again, I prefer extremely bold colors, so Sigma’s colors may be spot on for most everyone else! The Sigma 105mm F2.8 DG DN MACRO Art is a brand new telephoto macro lens for the Sony E-mount and L-mount full-frame mirrorless camera systems. With an f1.4 focal ratio the new 105mm f1.4 Art joins the Nikon 105mm f1.4E as the brightest lenses at this focal length, although crucially the Sigma comes in at a lower price and with the benefit of availability in more than just a Nikon mount. Yes, it is as massive as everyone says, and it weighs in at a whopping 3.6 lbs (1.63 kgs), just over half the weight of Nikon’s heralded 200mm f/2. I just don’t know if we need SO MUCH of said quality product. [0], Auto focus: HSM (Hyper Sonic Motor), so it also works on camera bodies which don’t have an AF-drive built in like Nikon’s D3x00/5×00. Measuring at 4.56 x 5.18", the Sigma Art 105mm f/1.4 takes up quite a bit of space in your tool kit. As you pull focus, you’ll clearly notice focus breathing: the image becomes more magnified at closer focusing distances. I’ve used multiple Sigma lenses on multiple camera platforms, dating way back to when I shot on Canon. Short distance focus adjustments happen with decent speed, though the wait for long distance adjustments is more noticeable and you'll not likely categorize this lens as focusing "fast".Especially in lower light levels, some minor autofocus distance adjustments are often made after the initial focus acquisition, increasing the overall AF lock times of even shorter distance adjustments.W… The Sigma 135mm is 91 x 114mm, the lens hood adds 60mm (with a diameter of 102mm). [0], Weight: 1496g plus 104g for the carbon fiber lens hood and 123g for the detachable tripod collar which adds up to a total weight of 1723g. Absolutely… and I can’t wait to use it more in the future! That’s why the Zeiss 135mm was never even an option. No distortion. The one focal length that has been missing for me since my switch to Sony has always been that 105-135mm f/1.4-2.0 range… until now. The Nikon is 95 x 106mm with the lens hood adding another 47mm (111mm diameter). The Sigma 105mm f/1.4 DG HSM Art lens has a nine rounded blade diaphragm to create more circular bokeh. There’s minimal chromatic aberration—so much so, that I was only once able to discern any at all, though I’m not a pixel peeper myself. I love the signature Sigma ART lens design which looks modern, classy and it feels very well made and super solid. If you’re willing to deal with the heft, it’s a great bang-for-your-buck lens. That’s the lens I thought of as I connected the 105 to my suddenly extremely small Sony A9. No doubt the Sigma 105mm f/1.4 Art is a beauty, and it is inevitably a talking piece when I bring it out at weddings. Focus accuracy and repeatability is critical to consistently produce sharp shots. The Sigma 105mm f1.4 Art is a bright mid-length telephoto lens corrected for full-frame sensors and available in Canon, Nikon and Sigma DSLR mounts, as well as in a native Sony E mount for Alpha mirrorless cameras. The Sigma 105mm F1.4 DG HSM is a very fast, short telephoto prime lens for full-frame DSLR cameras and mirrorless cameras. As with the rest of the Art lenses introduced to date, the 105mm f/1.4 Art Lens features Sigma's HSM (Hypersonic Motor) driving AF. If you’ve been considering adding this lens to your collection, you’ve likely got some questions, and we’re here to help with answers. The Sigma 105mm f/1.4 Art is a no-holds-barred lens that's designed to produce lovely bokeh effects and buttery-smooth backgrounds. Our Verdict. Overall, once you get over the fact that you’re now wielding a mini t-shirt cannon on the front of your camera body, it really is a nice lens and feels sturdily built. I was curious to see how it felt to wield such a lens again, and whether it would be worth the heft. So, with the Sigma coming in well over a pound heavier, I have to wonder what they’re feeding this beast in the warehouse before shipping it out. Full review Sigma’s 24-105mm f/4 DG OS HSM Art lens is a premium lens designed for full frame cameras’, although it can also be used on cameras with APS-C sensors. Following the tradition, this is a huge and heavy lens. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. Shares. But that is true for the Sigma 105mm f1.4 Art too when you use it on a Sony mirrorless body. And as you would expect it is compatible with Sigma’s USB-dock to fine-tune various characteristics of AF, plus if you change bodies, you can pay to have the mount swapped for your new system. Matching its hefty price point is its hefty weight. May not be used without permission. It has autofocus but relies on the body to provide the AF-drive. It is clear that the birth of the Sigma 105 mm f/1.4 Art has been an ambitious project. Size (diameter x length): 116 x 129mm, the lens hood adds 43mm (with a diameter of 128mm) which gives a total length of 172mm. No more front- or back-focused images. [+], Price: around 1500 EUR (incl. The hilarity of the reactions from wedding guests has varied. While using it in brief spurts won’t be too annoying, having it hit my side as I walked with it on my Holdfast MoneyMaker reminded me why I switched from DSLR cameras. The retailers I recommend below are the ones I trust for my purchases. If you invest in this lens and intend to take it out in public, plan on having a new talking point to manage. This is an in-depth review of the Sigma 35mm f/1.4 DG HSM Art prime lens that was announced at one of the largest photo shows in the industry, at Photokina in Germany on September 17, 2012 for Sigma, Canon, Nikon, Pentax and Sony mounts. It’s cumbersome, it’s kind of a pain to lug around… but it makes such incredibly beautiful images that you find yourself just not caring about the extra muscle it takes. These are unique feature that no other manufacturer offers. Overall, the packaging was nice, the carrying case is impressive, and I felt I was about to use a quality product. As an ‘Art’ lens, it’s designed to offer ‘sophisticated optical performance’ and meet the needs of creative photographers. Optical Stabilisation is also available to combat camera shake. When I switched to Nikon, I fell in love with the Nikon 105mm f/1.4 when it was released, and its slightly shorter focal length proved to be far more utilitarian for my style of photography. NIKON D850 + 85mm f/1.4 @ 85mm, ISO 100, 1/1000, f/1.4 NIKON D850 + 105mm f/1.4 @ 105mm, ISO 100, 1/1000, f/1.4 NIKON D850 + 135mm f/1.8 @ 135mm, ISO 100, 1/640, f/1.8. That’s something I’m stubborn about, as I have a system that works for everything but this one lens. That’s certainly not the case here, as Sigma says this, “ Like SIGMA’s Sports line lenses, the 105mm F1.4 DG HSM | Art features a highly effective dust- and splash-proof structure with special sealing at the mount connection (with exception of the Sigma mount), manual focus ring, cover connection, and … Coming in at 3.6 lbs the lens matches the weight of my Canon 5D Mark IVpaired with a Sigma Art 50mm. Sigma has definitely packed this monster full of great elements. Same for the alternatives. I adapted my gorgeous Nikon 105mm f/1.4 to my Sony cameras for a year and a half as I waited not-so-patiently for a native lens of that length to manifest for the Sony Alpha lineup. The Sigma 105mm f/1.4 Art is a massive lens. It was a joy to have a telephoto again. As usual I’ll have a look at the technical data of the Sigma first. Beautiful Bokeh Solid Build Quality Weather Resistant Ridiculously Sharp Perfect Length & Aperture for Portraits & Brenizer Methods, Lacks Image Stabilization Ridiculously Large Heavy for Extended Use Long Focus Distance. For comparison I use the Nikon 105mm f1.4E (“Nikon” for short) and Sigma’s own 135mm f1.8 Art (“Sigma 135mm”). But the new Sigma allows you to alter focus fine-tuning at 4 distances with the USB-dock. It’s smaller and lighter than the Sigma and uses 77mm filters. It does not offer image stabilization of its own (like any of the other lenses mentioned) but you have the advantage of the stabilization that the Sony bodies offer. The lens focuses quite fast in around 0.6 sec from infinity to a magnification of 1:10 without hunting which is faster than the Nikon 105mm f1.4E with 0.8 sec but a bit slower than the Sigma 135mm f1.8 Art at 0.5 sec. The Sigma 105mm f/1.4 Art sparkles with this same promise, and in this particular case mimics a coveted Nikon classic, making a fast 105mm prime available to those who shoot Canon and Sony for the first time. Tests indicate that it’s a very good performer albeit with some serious longitudinal CAs. Image Quality: All three lenses are super sharp with minimum vignetting and negligible chromatic aberration.If I had a gun to my head … Megan Allen is an award winning wedding photographer based in Columbus, Ohio. Now, Sony is quickly developing their own arsenal of lenses, and Sigma is doing the same to ensure the ever-growing army of Sony shooters have what they desire in the lens department. Verdict The Sigma 105mm f1.4 Art is an excellent lens. Overall, the Sigma 105 and the Sony A9 is a deadly combo. Let’s get something straight: this lens is MASSIVE. The Sigma 105mm f/1.4 Art is a no-holds-barred lens that's designed to produce lovely bokeh effects and buttery-smooth backgrounds. Inside was a strap for the lens case (which was a genuinely beefy thing, padded extremely well) and a screw-type lens hood that could double as a small salad bowl (according to my brother). I was frustrated, and let those ART lenses go in favor of lighter, more reliable Nikon f/1.8 versions…something I’d never imagined doing. Despite its size and weight, I loved making images with this lens. It is reversible for transport, and can be locked in place with a screw. Can it beat its main rival, the Sony FE 90mm f/2.8 Macro G OSS? The Sigma 105mm F1.4 DG HSM Art is the best portrait lens we have used. But this is only when the lens is already focused close to the target distance. In this review I will be covering the full frame E-mount Sigma FE 105mm f/1.4 Lens using the powerful Sony A7R IV. While its size and weight takes getting used to, you get superb images in return for the effort. As an Amazon Associate I earn from qualifying purchases. Sigma’s new macro lens is extremely sharp at any distance and free of color aberrations. I quickly found myself battling extremely front- or back-focused images, no matter how much calibration I attempted. Yes, I’d heard this was a big lens, but I hadn’t been fully prepared for just how BIG this thing would be. Since introducing the 35mm f/1.4 DG HSM Art in 2012, Sigma has steadily increased the number of wide-aperture f/1.4 primes in its line-up. It’s a focal length I’ve missed in my lineup, and it’s exciting to see it back in the arsenal. But the Sigma 135mm f1.8 increases magnification by 18% and the Nikon 105mm f1.4E even by 28%. The Sigma 135mm and the Nikon need cheaper 82mm filters. The Sigma 105mm F1.4 DG HSM is the longest F1.4 lens in the Art series to date, comprising 17 elements in 12 groups. The lens-caps are standard. Back when I shot on Canon, the Canon 135mm f/2 was a staple in my bag. Sony A9 & Sigma 105mm f/1.4 Art | 1/200 f/1.8 ISO 100 | Edited with DVLOP Presets. To be included into Sigma’s acclaimed Art series of top-notch lenses it should have very good optical performance and build quality. Write your own review! I also enjoyed being greeted with just the right amount of resistance on the manual focus ring. The Sigma 105mm | Sony A9 & Sony FE 28mm f/2 | 1/1250 f/1.4 ISO 64, • Retails for around $1.5k • Available for Canon, Nikon, and Sony cameras • Aperture range of f/1.4 to f/16 • Three FLD Elements, Two SLD Elements • One Aspherical Element • Super Multi-Layer Coating • Hyper Sonic AF Motor, Manual Override • Weather-Sealed, Protective Front Coating • Rounded 9-Blade Diaphragm • Removable Rotating Arca-Type Tripod Foot • Compatible with Sigma USB Dock, The Sigma 105mm f/1.4 Art is a premium product, packaged in a premium way. Bottom line: if you’re on the hunt for a mid-length telephoto lens with great depth of field, you won’t be disappointed by the Sigma 105mm. I only did the occasional exposure compensation in post-processing. From left to right: Sigma 85mm f/1.4, 105mm f/1.4 and 135mm f/1.8 Art. The focus ring offers a good grip with a 33mm broad rubber surface but its movement is a bit too stiff to be comfortably operated with a single finger. The Canon version of the lens is also compatible with the lens aberration corrections available in recent bodies to compensate for vignetting, chromatic aberrations and distortion. You’ll carry it because of how beautifully everything turns out. It uses 17 elements arranged in 12 groups (the Nikon 105mm f/1.4, on the other hand, uses 14 elements arranged in nine groups), which makes the optical design of the lens quite complex and adds extra weight to the lens – but the good thing is it helps correct a number of optical … [-], Image stabilization: No. Available for multiple systems. The build quality of the lens is excellent. Same with the Nikon. Nikon’s 105mm f/1.4 is just over 2 pounds, and Sony’s new 135mm f/1.8 is an ounce lighter than that. So the lens is well-featured with the unique option to get the lens-mount swapped or use an adapter for Sony’s E-Mount plus a detachable tripod collar which no other manufacturer offers. All of that being said, I was absolutely thrilled to take this beauty into the wild and give it a go. It reminded me how much I truly love the compression of a telephoto prime, and how much I missed my Nikon 105mm as a native lens. I found the tripod collar nice for simply managing the weight of the lens as I held it, as the base of it fit well in my hand. I took it to two weddings, one engagement shoot, and to Iceland, although it wasn’t obvious at first how I would factor it into shoots. Needless to say, I felt a bit of trepidation as I dipped my toes back into the Sigma waters, but I was pleasantly surprised. That's $600 less than the Nikon 105mm F1.4E. So the new Sigma 105mm f1.4 is by far heavier and larger than the alternatives except for the Mitakon 135mm f1.4.  [-], Optics: 17 elements in 12 groups vs. 14 elements in 9 groups for the Nikon and 13 elements in 10 groups for the Sigma 135mm. That made me reevaluate how I photographed a wedding day. First things first, when you see the Sigma 105mm f/1.4 Art lens, you realize that it is a beast of a lens. With an f1.4 focal ratio the new 105mm f1.4 Art joins the Nikon 105mm f1.4E as the brightest lenses at this focal length, although crucially the Sigma comes in at a lower price and with the benefit of availability in more than just a Nikon mount. All words, images, videos and layout, copyright 2005-2020 Gordon Laing. Here’s where things get wild. Am I keeping this lens in my bag? B&H Photo Adorama … It simply doesn’t fit in my ThinkTank Airport Navigator unless I completely rearrange my compartments. When I adjusted the focus from infinity to 1.18m on the new Sigma, I measured a 13% increase in magnification which might not please videographers. This is a guest review of the Sigma 105mm f/1.4 DG HSM Art by wedding photographer Megan Allen. Sony also offers the older SAL 135mm f1.8 ZA Carl Zeiss Sonnar T* from 2006 for A-Mount or via an adapter for E-Mount. Since switching to Sony, I was forced to give up the longer telephoto primes due to no native options being available that suited my personal tastes.

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